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About da Palmer Film

Da Palmer Film is a small production company, located in South Tyrol in the north of Italy.

It was founded in 2001 as Blue Star Film and changed its name to Da Palmer Film in 2005, as Blue Star Film became an independent company in Munich, Germany. Both companies are in close cooperation.

Da Palmer Film produces mainly documentaries, short and feature length fiction films, or collaborates with other production companies mainly in the camera department.

As for production equipment, an editing suite (Final Cut Pro Studio, Deck Link Extreme), DV cameras (JVC GY-DV 700 WEcl, Canon XL1) and super16mm cameras (AATON Ltr 7, BOLEX SBM, BOLEX H16reflex with underwater housing) are available.

Productions in super8/single8 mm (FUJICA zc1000, Beaulieu ZM4, Bauer A512) and telecine services are also offered.

 
Lenses and accessories PDF Print E-mail
Directors Viewfinders:

Viewfinder Denz OIC - 16 for 16/S16mm
(for PL-mount with built in Groundglasses: 1:1.85 HDTV / 1:1.78 HDTV / 1:1.55 14:9 / 1:1.66 S16 / 1:1.37 N16 / 1:1.33 S16 TV / 1:1.33 N16 TV)


Viewfinders:

P&S Technik Optical Viewfinder for SI-2K or Ikonoskop a-cam Dii

(mounts on IMS-mount camerabody and takes B4-mount Broadcast/HD Lenses)


super16mm lenses:


Zoom Lenses:

ZEISS Vario-Sonnar 12-120 T2,4 (Optex modified Zeiss 10-100 1.8) (PL-mount, Arri Bajonett or Aaton mount) + ZEISS MUTAR x0.6

ZEISS Proxar II (f= 0,65m) (for ZEISS Vario-Sonnar 12-120 T2,4 or  ZEISS Vario-Sonnar 10-100 T1,8)

Prime Lenses:

ZEISS Distagon 9,5mm T1.3 MK II (PL-mount)


ZEISS Distagon 12mm T1.3 MK II (PL-mount)


ZEISS Distagon 16mm T1.3 MK II (PL-mount)


ZEISS Distagon 25mm T1.3 MK II (PL-mount)


ZEISS Planar 50mm T1.3 MK II (PL-mount)


KERN SWITAR 10mm RX (c-mount) (slight vignetting in super16 but usable)


KERN SWITAR RX 16mm  (c-mount)


KERN SWITAR RX 25mm f1.4  (c-mount)


SCHNEIDER CINEGON 10mm f1.8 (c-mount)


SCHNEIDER XENON 25mm f1.4 (c-mount)



35mm cinemascope lenses:

Prime Lenses:

LOMO 35 BAS-27-1 35mm t2.6 round front (OCT-19 or PL-mount)


LOMO 35 BAS-22-2 50mm t2.4  round front
(OCT-19 or PL-mount)


LOMO 35 BAS-23-2 75mm t2.3 round front (OCT-19 or PL-mount)


Zoom lenses:

LOMO 35 OPF-18-1A 40/240mm
t4.4 (OCT-19) 5,9kg


 LOMO 35 OPF-7-1A 50-500mm t6.5 (OCT-19 or PL-mount) (can not be used on KINOR 35H only on KONVAS M2 or RED ecc.)


35mm sperical lenses:

Prime lenses:

CANON FD 400mm f2.8 (with 2x adapter 800mmm) (COOKE universal MOUNT - PL-mount/B4-mount/ARRI B-mount available)

ZEISS CP2 18mm T3.6 (PL-mount or EF-mount)

ZEISS CP2 25mm T2.9 (PL-mount or EF-mount)

ZEISS CP2 35mm T2.1
(PL-mount or EF-mount)

ZEISS CP2 50mm T2.1
(PL-mount or EF-mount)

ZEISS CP2 85mm T2.1
(PL-mount or EF-mount)

ZEISS CP2 100mm T2.1
(PL-mount or EF-mount)


Zoom lenses:

LOMO 35 OPF-18 20/120mm t3.6 (OCT-19) (+ 1,5x and 2,1x rear teleadapter) 6kg


ZOOM LOMO 35 OPF-7 25-250mm t4.4 (OCT-19 or PL-mount) (can not be used on KINOR 35H only on KONVAS M2) 2,5kg


super8/single8 lenses:

Zoom Lenses:

SCHNEIDER Optivaron 6-66 f1.8 (c-mount) (perfect combined witrh iscorama 56)

SCHNEIDER Optivaron 6-66 f1.8 (leica m-MOUNT) (perfect combined witrh iscorama 56)

SCHNEIDER Macro-Variogon  6-70 f1.8 (c-mount)

EBC FUJINON M.AZ 7,5-75 f1.8 (c-mount)

FUJINON-TV Zoom Lens 14-84 f1.6 (c-mount) (perfect combined witrh iscorama 36)

FUJINON-TV Zoom Lens 17.5-105 f1.8 (c-mount)

Prime Lenses:

FUJINON-TV 75mm f1.8 (c-mount)

FUJINON-TV 50mm f1.4 (c-mount)

FUJINON-TV 35mm f1.7 (c-mount)

FUJINON-TV 25mm f1.4 (c-mount)

FUJINON-TV 16mm f1.4 (c-mount) (only for mirrorless cameras)

FUJINON-TV 12.5mm f1.4 (c-mount)

FUJINON-TV 9mm f1.4 (cs-mount) (only for mirrorless cameras)

EBC FUJINON SW MA 5.5mm f1.8 (c-mount)

KERN SWITAR RX 5.5mm (c-mount only for BOLEX H-8 reflex)

KERN SWITAR RX 12mm (c-mount only for BOLEX H-8 reflex)

KERN SWITAR RX 36mm (c-mount only for BOLEX H-8 reflex)


special lenses:

ISCORAMA ANAMORPHOT 1.5x - 54 (anamorphic adapter 1:1.5)


ISCORAMA ANAMORPHOT 1.5x - 36 (anamorphic adapter 1:1.5)


ISCORAMA 50mm f2.8 1.5x for NIKON (anamorphic prime lens 50mm with Nikon mount)


ISCORAMA ANAMORPHOT 8/1.5x (anamorphic adapter 1:1.5)
this small lens fits on the Fujica P2 making it a very small anamorphic action camera (slight vignetting on one side of the frame)


SCHNEIDER XENON 17mm f0.95 (CS-mount / only for HYCAM or CS mount compatible cameras)
works with IKONOSKOP a-cam Dii
(can also be used on IKONOSKOP a-cam SP16 if mount has been modified)

35mm still lenses:
(for use on AATON super16/ ARRITECHNO/ or DSLRs like Canon 5D or Nikon D4)

NIKKOR 20mm f2.8
NIKKOR 24mm f2.0
NIKKOR 35mm f1.4
Micro NIKKOR 55mm f2.8
NIKKOR 85mm f1.8
NIKKOR 28-85mm f3.5-4.5

35mm DOF adapters:

P+S Technik mini35 (incl. 1 IMS mount adapter + connector kit for SONY Z7e or SONY EX1 or Panasonic 200)


P+S Technik mini35C (incl. 1 IMS mount adapter + connector kit for B3 mount cameras like JVC GYHM750 or SONY Z7e)


Movietube LT (incl. PL and BNCR mount)


lensmount adapters:


AATON (camera) - ARRI BAJONET (lens)
FZ (sony F55 and similar) (c) - IMS (P+S technik) (l) or IMS lens mount adapter
IMS (P+S technik) (c) - PL-mount (l) (can be used in combination with FZ mount adapter)
IMS (P+S technik) (c) - NIKON F (l) (can be used in combination with FZ mount adapter)
IMS (P+S technik) (c) - NIKON F professional (l) (can be used in combination with FZ mount adapter)
IMS (P+S technik) (c) - C-mount (l) (can be used in combination with FZ mount adapter)
IMS ((P+S technik) c) - B4-mount (l)
IMS ((P+S technik) c) - B4-mount (l) with optical viewfinder
MFT (c) - PL-mount (l)
MFT (c) - C-mount (l)
MFT (c) - Leica M-mount (l)
MFT (c) - Nikon F-mount (l)
MFT (c) - Canon EOS-mount (l)
MFT (c) - Canon EOS-mount (l) (with mecanical 14 blade iris behind the lens)
MFT (c) - Pentax 110-mount (l)
PL-mount
(c) - COOKE universal mount (l)
ARRI BAJONET (c) - COOKE universal mount (l)
B4-mount (c) - COOKE universal mount (l)
COOKE universal mount
(optical 2x converter integrated)
(c) - COOKE universal mount (l)
COOKE universal mount (optical 2x converter integrated) (c) - CANON FD (l)
BNC-R
(c) -  ARRI BAJONET (l) (not to be used on Mitchell cameras)
AATON (c) - NIKON (l)
AATON (c) - CAMEFLEX (l)
PL-mount (c) - ARRI BAJONET (l)
C-mount (c) - ARRI BAJONET (l)
C-mount (c) - NIKON F (l)
C-mount (c) - CANON FD (l)
C-mount (c) - MINOLTA (l)
BOLEX BAJONET (c) - C-mount (l)
CANON EOS (c) - NIKON (l) (allowes to use manual Nikkor lenses on CANON D5 ecc.)

RED ONE (c) - OCT-19 (l) (Doug Underdahl Adapter / original PLmount has to be unscrewed and replaced with the adapter)


matte boxes:

Chrosziel 4x4 (1fix + 1 rotating filter tray) for 15mm rods distance 60mm

Chrosziel 4x4 (1fix + 1 rotating filter tray) for 15mm rods distance 60mm

ARRI Production Matte Box 6.6x6.6 (3 rotating filter stages for 15mm rods distance 100mm)

Kinor 35H swing away light Matte Box 5x5 (1fix + 1 rotating filter tray)

special accessories:

FGVdevelopment Raindeflector 300 (incl. 2 4''x5.6'' filterholders / keeps the lens clean from water like rain, water sprays on a boat ecc. / 12V power)


filters:

    6.6x6.6 TIFFEN Glass Filters

Clear
85C
81EF+ND 0.3
81D
85+ND 0.3
85+ND 0.6
85+ND 0.9

LL-D

Coral 3

Yellow 3 soft grad

  6.6x6.6 SCHNEIDER Glass Filters

81EF
IR 680
IR ND 1.2

  6.6x6.6 Harrison Glass Filters

B-1
B-2
B-3
B-4
B-5

5x5 TIFFEN Glass Filters

82
85C
85/POL
Black ProMist 1
Fog 3
Seppia 1
FL-B
FL-D

4x5.6 TIFFEN Glass Filters

81 EF
Clear/ND0.6 (soft grad ND 0.6) V

4x4 TIFFEN Glass Filters

POLARIZER
ND 0.6
ND 0.9
85B
85+ND 0.3
85+ND 0.6

812

Green 2
Yellow 2

  Clear/X0.3 (soft grad ND 0.3) V

various 3x3 and circular Filters

lens accessories:

Follow Focus LANPARTE/LPT with A/B stops Flex Whip (0.8 Gearring)

 
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